pavlosmi

June 15, 2021
June 15, 2021
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The Palaiologan Romance in Context: Narrativity, Identities and Gender in the Mediterranean (12th -16th centuries)

24-25 June 2021. A two-day conference on the Palaiologan Romance will take place on 24-25 June online, to which everyone is welcome to register and attend. The conference is taking place within the framework of the research programme The World of the Palaiologan Romance: Representations of Self and Society in the Greek Narrative works of the Late Medieval period (thirteenth – fifteenth centuries): A Multidisciplinary Approach to Identity, Otherness, Gender and Ideology housed at the Department of Social Anthropology and History of the University of the Aegean and funded by the H.F.R.I. // G.S.R.I.
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May 29, 2021
May 29, 2021
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What kind of heritage do ancient and medieval texts constitute?

By Lars Boje Mortensen

The NetMAR project is seeking to better understand and promote local heritage by bridging the disciplines of art history, literature, musicology, history and more – all under the lense of ritual. NetMAR takes place just as we are seeing a significant surge, and new trends, in the global discourse of heritage.
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February 1, 2021
February 1, 2021
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Prof. Kristin B. Aavitsland

Kristin B. Aavitsland is Professor of Medieval Studies at MF Norwegian School of Theology, Religion and Society, Oslo, and, since May 2021, she has been Director of Istituto di Norvegia (The Norwegian Institute) in Rome. Trained as an art historian and medievalist, she received her PhD from the University of Oslo in 2002, having previously held research fellowships in Rome (Istituto di Norvegia) and London (Warburg Institute).
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February 1, 2021
February 1, 2021
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Prof. Andrew Lynch

Andrew Lynch is Emeritus Professor of English and Literary Studies at The University of Western Australia, and an Honorary Senior Research Fellow there. He has published widely on medieval literature and its modern afterlives. His recent publications include two co-edited collections: The Routledge History of Emotions in Europe, 1100-1700 (2019) and A Cultural History of Emotions, 6 vols, (Bloomsbury, 2019). He is an editor of the journal Emotions: History, Culture, Society (Brill).
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February 1, 2021
February 1, 2021
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Prof. Claudia Rapp

Claudia Rapp took up her current position as Professor of Byzantine Studies at the University of Vienna in 2011, after 17 years at the University of California, Los Angeles, where for ten years she spearheaded the Multi-Campus Research Group in Late Antiquity. She obtained her BA from the Free University Berlin and her Ph.D. from Oxford University. In Vienna, she is the Director of the Division of Byzantine Research within the Institute for Medieval Research at the Austrian Academy of Sciences, and Scholarly Director of the Sinai Palimpsests Project.
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February 1, 2021
February 1, 2021
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Sara Moure López

Sara Moure López is working on her PhD thesis at the University of Santiago de Compostela, under the supervision of professors Rocío Sánchez Ameijeiras and Rosa M. Rodríguez Porto. She is a FPU Pre-Doctoral Fellow at the Department of Art History at USC and part of the Research Group “Síncrisis: Investigacións en formas culturais”.
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February 1, 2021
February 1, 2021
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Maiken Bundgaard Villumsen

Maiken Bundgaard Villumsen is the Academic Manager at the Centre for Medieval Literature, a Danish Centre of Excellence established in 2012 with a second node at the University of York (UK). She handles the daily management of the centre including organisation of events, website and social media as well as communication within SDU and more. She is responsible for coordination with NetMAR activities in close cooperation with the SDU NetMAR manager. She has a degree in Classics from the University of Southern Denmark.
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February 1, 2021
February 1, 2021
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Dr Chiara d’Agostini

Chiara D’Agostini studied Classics at the University of Milan. She has just finished and successfully defended her PhD at the University of Southern Denmark and its Centre for Medieval Literature. Her doctoral dissertation, titled Mapping Empires: Re-appropriations of Ptolemy’s Geography from the 12th to the 15th Centuries, explored the medieval reception of geography, considering text and maps from a new angle and focusing on its relevance to the construction of a quintessentially Byzantine geographical imagination.
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